2009 AAW Educational Opportunity Grant Auction

Click on each photo to view a larger image & description, then click on "Next" to view additional images (updated 7/15/09)


Lot # 124 - View 1\nAlain Mailland - "Dancing Pelagie", African Blackwood, 11.25" H x 7.0" D x 8.5" W Lot # 191 - View 1\nFrank Amigo - "Small Flower Form" measuring 5" tall x 6.5" diaameter. Redwood burl with a carved ebony insert.Lot # 137 - View 1\nAngelo Iafrate - "Morison Pill Box", material: Black & White Ebony w/ Gabon Ebony trim, dimensions: 3" diam. x 7" tall. At the beginning of the last century, pieces like this were part of many Magicians close up performances. This piece is an updated version of an original French design that was popular at the time. Using contemporary methods and materials this is my interpretation of the original. It is considered to be the successor of the original Ball Box which was a simpler illusion. \nThe Magician performs this illusion by opening the vase to reveal a solid ball. The ball is openly removed and the inside of the vase can be shown to be empty. The solid ball is vanished by your favorite method. The lid is placed on the vase and when reopened it is shown to contain the vanished ball! Since I am a Majic builder, I am bound under oath not to reveal the secret. However, all will be revealed to the successful bidder.Lot # 142 - View 1\nEli Avisera - "Jerusalem Stone Bowl." 4-1/4" in diameter and 2-1/4" high. The wood is Madrone burl from Portland, Oregon, and Olive Wood from-Jerusalem. The bowl is segmented and the surface as been carved to represent Jerusalem stone.Lot # 166 - View 1\nJerry Bennett - "Late Night Solo" measuring 42" high x 17" x 11". Materials: Yellowheart, Ebony, Maple, Steel, Brass, Acrylic Paint and Lacquer. About the Work:  "My lifelong interest in music has found its way into my art. For me, music generates such powerful emotion, and I have sought a way to tangibly express it in sculpture. If my work is representative, let it be representative of the feelings one experiences while enjoying a great concert."Lot # 100\nBenoît Averly, "box", 2008, Ash, 17" Lot # 121 - View 1\nBert Marsh - Cocobolo bowl, 3 ¼" High x 7 ¾" Diameter. A classic Bert Marsh bowl form with elegant thin wall of 1/16"Lot # 115 - View 1\nBetty Scarpino - "Gather the Wind", 2007, 21" x 19" x 3", maple, bleach, an image of this sculpture appears in the new book, Woodturning Masters.Lot # 157 - View 1\nDixie Biggs - "Heat Wave" measuring 7.5" tall x 5.5" diameter, cherryLot # 181 - View 1\nTrent Bosch - Untitled, measuring 6" x 6" x 7". Silver Maple. Trent's latest series brings him back to the hollow form and use of sandblasting to precisely create differences in color and texture.Lot # 148 - View 1\nChristian Burchard - "Shells" from Madrone Burl, measuring 11" x 5" x 6"Lot # 158 - View 1\nKeith E. Burns - Segmented Leopardwood and Ebony Box. There are 98 pieces plus veneers and the Ebony finial. The foot is ebony with the same veneers as the top. Measures 3-1/2" dia. x 6-1/4" overall height. Finished with antique oil and buffed.Lot # 188 - View 1\nAndy Cole - "Tropical Forest Gems" made from Milo (Hawaiian wood). Three piece natural edge nested bowl set, measuring 10" wide x 4" high (largest piece).Lot # 182 - View 1\nMarilyn Campbell - "The Red Queen" measuring 8" high x 6" long x 2-1/2" wide, made from holly, epoxy and paint.Lot # 172 - View 1\nGene Colley - "Oak in the way of Progress". Land was being cleared for a new highway near our homes, and the 400 pound oak burl that my buddy Dave Gelnet and I had been watching for years was knocked down. We had to race to beat the chippers! This piece is 8" high x 6" wide. This large oak burl has been producing pieces for my friends and myself for months.Lot # 159\nHarvey Crouch - "Roadrunner" made from 555 pieces of mesquite and maple featuring designs of roadrunners, barbed wire and crooked roads. 8" high x 8-3/4" wide. Lot # 108 - View 1\nDale Larson - Pacific Madrone measuring 4 3/4" by 11 1/4"Lot # 174 - View 1\nEd Davidson - "Yo-Yo Standing" made from Brazilian Yellowheart and African Blackwood. The yo-yo and stand together measure 8" tall x 5" wide at the base. The yo-yo measures 2-1/4" x 3" and is made from a single piece of wood with no glue holding the axle and sides together. The base has a dichroic cabochon countersunk into the underside, measuring about 1" across. Rose Engine embellishments on the stand and yo-yo enhance the piece and make this a one-of-a-kind collectable.Lot # 133 - View 1\nDennis Paullus - "Locust Pot". The piece is 9.5" wide and 8.5" tall, made from honey locust.Lot # 185\nDonald Derry - "Avocet" (Water Bird Series), 32" x 10" x 10". Turned Sculpture made from Elm. Pigmented then Dyed. Glazed between lacquer top coats. Optically polished by hand. Lot # 101 - view 1\nDewey Garrett, Fractal Box, 1" H x 4" Dia, Faux Ivory\n\nHandturned and then decorated on home-built ornamental turning engine. All surfaces, inside and out, are decorated. The outside surfaces feature unique, mathematical fractal patterns while the inside is adorned with geometrical patterns in respect to the traditions of ornamental turning.Lot # 102\nDouglas Fisher, A Future Awaits Us, 2008, Curly maple, 13" x 21/4"\nNative style art of the Pacific Northwest Lot # 178 - View 1\nSharon Doughtie - "Two's Company", Norfolk Island Pine, 3" high x 10" diameter.Lot # 152 - View 1\nHarold Dykes - Segmented Bowl measuring 9" wide and 7" tall. The materials this turning is made from include walnut, maple, mesquite and man-made turquoise stone.Lot # 138 - View 1\nDavid Ellsworth - "Maple Pot", 2009. 8"h x 9"d. Spalted Sugar Maple.Lot # 154 - View 1\nescoulen Jean-François - "neuralgia" measuring 22cms (8.7") high, made from Myrtle, Boxwood and Masur Birch. Lot # 147 - View 1\nCarole Floate - "Deep sea dancing dulse". Materials: Maple, acrylic paint. Dimensions: 12"H x 12"W x 2"D. "Inspired by views of the deep sea, harmonics movement of sea plants and coral."Lot # 140 - View 1\nClay Foster and Jennifer Shirley collaboration - "Maria's Treasure" measuring 10" high x 22" long x 5" wide. Materials: wood, stone, copper, milk paint.Lot # 103\nFrancisco Clemente, vessel, 2008, Tamarind, 12" x 13" Lot # 132 - View 1\nGarry Bennett - "Mark's Big Burp Ale". A lamp with a 3-way touch switch - i.e. you touch the nail and the lamp goes on, with three levels of brightness.The materials in the lamp are: Mark Sfirri turning, pewter casting, beads, nail, paint, Douglas fir, and lamp parts. The title is in reference to Mark's turning utilized in the lamp, as well as the 'beer bottles' that Mark has been known to turn from time to time. The Sfirri turning in the piece is one of his multi-axis turning scraps that he sent to Garry when Garry was making his 'twirling' series. The back of the turning, which is hard to see in the picture, is concave, while the front is convex. It measures 14" H x 7" W x 7" D.Lot # 128 - View 1\nGary Sanders - Box Elder Burl and Blackwood, colored with acrylic paint and acrylic ink, finished with lacquer.Lot # 130 - View 1\nGorst Duplessis - "Show me your best side", Rose Engine turned African Blackwood box with Turquoise insert, 2" x 8-1/2"Lot # 135 - View 1\nGraeme Priddle - "Starfish Vessel". Monterey Cyrpress, Mulga, Paua Shell, Copper and Metallic Thread. 8" high x 5 1/2" wide x 3 1/2" deep.Lot # 170 - View 1\nStephen Hatcher - "Search for Personal Understanding" measuring 3" tall x 10" wide x 10" deep and approximately 1/8" thick. Materials include Fiddleback figured bigleaf maple bowl with translucent calcite crystal inlay, metal acid dyes, and a deep lacquer finish. The inlaid crystals pass through the piece and refract the light beautifully when backlit. Made in 2008. Piece title, year and artist signature are on the underside. This piece is round-bottomed and must sit in a display stand (included with the piece).Lot # 104 \nPeter Hromek - Walnut Lot # 105\nJames McClure, Golden Egg, 2009, Cherry, 23 kt gold gilded finial, 7" x 4" Lot # 131 - View 1\nJim Christiansen - "The Gods Of War". The work consists of two pieces that are displayed together as shown in the photo. 18" high by 18" long by 10" wide. The materials used are: Pheasant wood, Basswood and Maple. "My design intent was to portray humankind's seeming inability to learn from the past and avoid the ongoing tragedy of war."Lot # 118\nJoey Richardson, "Midnight", 5.50" x 5.25" x 3.00", Sycamore with acrylic colours. I called the piece Midnight, but the centre looks like the sun with its rays reaching out...when it is midnight in my garden, the dark flower blooms, the sun must be setting somewhere in the world...when the sun rises where the full moon is, the dark flower will turn purple.Lot # 125 - View 1\nJohn H. Williams - "Topographically Rusty" is a turned hollow form of sycamore with eight carved "S"curved flutes that have been textured with a fine tipped pyrography pen then airbrushed with a number of transparent acrylic colors. Size is 4-1/4" H x 5-3/8" D. Lot # 177 - View 1\nJohn Jordan - Walnut Vessel made in 2008, measuring 8" d x 7" h. Turned, carved textured walnut.Lot # 106\nJoshua Salesin, Calypso Shell, Pink ivory wood, 23/4" x 33/4" Lot # 123 - View 1\nJoyce McCullough - "Turning Leaves", 2.8" W x 5.4" H. This piece was created by turning Walnut for the base and relief carving Maple for the top leaves. The leaves were meant to resemble the beauty of freshly fallen leaves. "I have been sculpting wood into wildlife birds and animals for 17 years. Turning became an obsession in 2005 when I realized I can combine the two art forms and stay with the realism of wildlife while creating a turned piece with some character. I love nature and enjoy bringing its beauty and splendor into my pieces."Lot # 151 - View 1\nMike Kehs - "Leafy Vase" measuring 4" tall x 3" diameter. Carved.Cherry. "I live in eastern Pennsylvania on 11 acres of hardwood forest. At almost any time of year you will find hardwood leaves of maple, white oak, and red oak. This is where my inspiration for "Leafy Vase"  has come from."Lot # 160 - View 1\nEd Kelle - "I wait for you", measuring 5.25" diameter, bleached maple eggs, cherry nest with texture and watercolor.Lot # 141 - View 1\nJoan Kelly - "Reassembled Bowl" measuring 7.5" x 4.5" x 3.5". Material: Zebrawood. "This piece is one result of experimenting with reassembling square bowls. It began as a 7.5" square, was cut apart after turning, and glued into it's present shape. The finishing touches were minor carving and sanding of the cut edges.Lot # 167 - View 1\nJerry Kermode - Redwood Burl natural edge vessel with bark and walnut stitches, measuring 8-1/2" H x 9-1/4" W x 6-3/4"D.  "The grain of the wood comes first, my design flows from that." Jerry's joy in turning is in his never-ending search for the perfect shape married to the grain and character of the wood. His stitching technique is a contemporary design influenced by the repairs in ancient Hawaiian bowls. All of Jerry's vessels are turned from local California, sustainably forested woods.Lot # 153 - View 1\nRay Key - Masur Birch Black Rim Enclosed Vessel. This is a one piece turning, the top is not set in as many think. Size: 5-1/2" high x 4-1/2" diameter. Opening: 7/8" diameter. Weight: 7ounces. Ray embraces the minimalist approach. His design bywords are keep it simple stupid, let the wood speak for itself, if in doubt leave it out. Herbert Ypma in his book London Minimum decreed Ray's work had achieved Wabi. The work must be pure - in form, material and execution for this Japanese word meaning 'voluntary poverty' to be applied.Lot # 183 - View 1\nBonnie Klein - "Albuquerque Sunset", diameter - 3", height - 8", made out of hard maple. This is an exaggeration of one of my "signature" pieces.  I love making these because it combines many of my favorite techniques such as chatterwork, coloring and threaded boxes, in the form of a spin top.  It is not immediately obvious that it is a box and there is always a surprise inside.Lot # 180 - View 1\nPat Kramer - "Na Hua o ka Wao Kele" (egg of the upland forest). Natural-edged piece turned from Milo. 6-3/4" Tall x 9-3/4" Across. The piece has been turned and carved. The sapwood has been lightly carved and eroded using manual abrasive and burnishing techniques.Lot # 168 - View 1\nJoe Landon - "Fireball" is 5.5 inches tall and 5.25 inches wide. It is turned from end grain, fiddle back maple. Finished with aniline dyes and wipe-on poly.Lot # 163 - View 1\nArt Liestman - "Stretch" measuring 13-1/2" long x 4-3/4" tall x 3-1/4" deep. Big leaf maple burl and walnut. "This is the most recent in my series of puzzling illusion teapots."Lot # 109 - view 1\nLonnie Combs, "Black Tulip", Black walnut, 18" tall.\n\nThis piece is from a 132 year old piece of highly figured black walnut. The tree died of natural causes. The wood was turned while wet, manipulated during the drying process and later when dry, the base was sculptured to compliment the design.Lot # 171 - View 1\nBill Luce - "Vertical" made from Douglas fir, turned and sandcarved, measuring 10-1/2 inches tall x 7 inches wide. "This skeleton vessel - from my Bones of the Tree series - is a study of the interaction of simple form and the visual elements provided by the wood.  A single piece of wood, all but two diagonal bands of flesh have been removed to allow the "bones" of the vessel to contribute more fully to the three dimensionality of the piece. The stark yet strongly organic textures of the ribs interplay with the negative space between, further enhancing the piece's command of its space." Lot # 179\nMike Mahoney - Salad bowl nested set made of Mormon Poplar. 12" x 5" largest, and 4" x 2" for the smallest bowl. Lot # 129 - View 1\nMalcolm Ray - "Santana", Cherry wood,lacquer and gesso measuring 4-1/4" x 7-1/4" x 7-1/4". "After a trip to a few of the New Mexico pueblos, I found that the pottery of the Southwest natives provided almost unlimited inspiration for wood forms.Since then,I have tried to make forms that have the feeling of the pottery without making outright copies of what I saw. This olla form is my  favorite of the ones I have made.The band around the middle has been burnished to contrast with \nthe almost flat finish on the rest of the piece."Lot # 116 - view 1\nMalcolm Zander - "Leaves in a Golden Wind", 2008, 15.5" wide x 11.5" deep x 9.5" tall. Black Walnut, bronze dust and 23K gold leaf with polymerised tung oil finish. This piece is the fifth, last and most evolved in a series whose inspiration initially derived from an image of a vase found in a book on contemporary studio porcelain. It was exhibited by invitation in the 2008 Over The Edge, Woodturning into Sculpture exhibition at the Prichard Gallery, University of Idaho, curated by Jim Christiansen and Gerrit van Ness.Lot # 117\nMark Sfirri - "Large Squiggle Spoon", Mahogany 4 3/4" H x 17 1/2" W x 3 1/2" D, \n2006.\n\nThis form is a result of my further exploration of multi-axis turning. I have been teaching spoon making workshops for a number of years and this spoon is one of my more sculptural interpretations. Lot # 164\nJohannes Michelsen - "Hat" from Madrone Burl. Heavily bleached, medium-large long oval. Also, I have made a stand for it, I struggled with this for awhile, I wanted something old and worn looking like a SW fence post but didn't have access to any, then last week a piece of firewood that had been attacked by ants jumped out at me and it made a perfect "Spirit of the Southwest" hat stand - see view 2.Lot # 165\nJohannes Michelsen - "Swing Low Sweet Chariot" made for the "Restful Places" AAW exhibit. Dimension are 17-1/2" wide x 10" deep x 14" high. It was conceived as a cremains container but has every right to be considered as a stand alone art vessel! It is made of Black Cherry Crotch,Walnut Burl,Pink Ivorywood and Brass. Lot # 107 - View 1\nMichael Hosaluk collaboration with Frank Sudol, "Bird House", 2008, Manitoba Maple and acrylic, measuring 15" x 6" x 6". "This is a piece I did after Frank died. He and I always wanted to do something together but never did while he was alive. This piece I found in Franks basement unfinished and immediately knew what to do. He was always fascinated that I would make birds so abstract.Lot # 176\nMichael Hosaluk - Thin Bowl ftom Madrone wood, ebonized, turned green, carved feet, made in 2008 and measuring 10" x 11" x 4.5" high. Lot # 146 - View 1\nBrian Millspaw - "Blossom" measuring 7"diameter x 5.5" wide. Material: MulberryLot # 173\nRude Osolnik - Candlestick pair, made by a master turner. These highly collectable pieces measure 7-1/2" tall and 2-1/2" at the base. The condition is "fair". They have felt on the bottom and there are some slight nicks and marks. The candlesticks are not signed, but there is an accompanying book that is signed by Rude Osolnik. Click on this link to view the book that goes with these auction items. Also, click on this link to read a letter of authenticity and history from the original owner and donor of these candlesticks, Marwin Feldman. Lot # 175 - View 1\nPascal Oudet - "after the big sand storm". Dimensions - 11-1/2" x 4-3/4" x 4-1/8"\n(29.5*12*10.5cm). Material: oak, turned thin, sandblasted, bleached. "This piece is an imaginary combination of a traditional tepee shape if it were left in the harsh environment typical of the Southwest deserts. Only a very delicate frame is left after exposure to erosion by wind and sand, and bleaching by the sun. How natural elements reveal the deep structure of the material is a great inspiration in my work."Lot # 126 - View 1\nPaul Fennell - "Fissures", Bubinga turned hollow form and carved. 5.5" tall x 5" diameter. "This piece is part of a current body of work, based on a departure from the overly-regular, evenly-spaced, mechanical-looking and predictable.  Visually, the concept is derived from the fact that in the real world objects may appear to have similar characteristics, but there are also natural variations.  Moreover, with respect to tactile characteristics, it did not occur to me until recently that the idea of sharp edges could be an important accompanying design element. Combining these two concepts results in work that is visually pleasing, but also delightful to hold."Lot # 155 - View 1\nBinh Pho - "Twomo blue" measuring 3.5" high x 9" diameter. Medium: leaded crystal blue, 45%. "No, it’s not wood… it’s a cast glass bowl. Why is the glass bowl in the wood turning event? First I have to turn a wooden bowl, then design the bowl the way I want it. From my wood bowl, I made a rubber mold, from the mold I cast the wax bowl, from the wax bowl I cast this glass bowl. It is the "Lost wax process". The turned wood bowl is safe and traveling around the country in the Challenge VII exhibit: Dysfunctional Objects. Twomo blue is the language from another world, the world with human is interactive with his/her gelkandar, it means believe that miracles happen and dreams do come true."Lot # 189 - View 1\nBinh Pho and Giles Gilson, their first collaborative piece - "Race against Time" measuring 4" high x 6" diameter, made from Maple with acrylic paint embellishments. "In some species of butterflies, the adult cycle only lasts a few weeks. In the human world, their lifetime is just a fleeting moment, yet it is all the butterflies need to fulfill dreams and escape the race against time. The pair of butterflies in this piece have transcended human time... they have entered the world of Gelkandar."Lot # 127 - View 1\nPierre Deletraz - "Just Married", Maple wood, measuring 74 mm diameter (2.91") x 300 mm length (11.81"). It is a secrets box for young married people - husband and wife each have a box that can only be opened using his/her personal code, where he/she can enclose his/her first loving recollection about her/his lover. As the young married people are linked, the two boxes are assembled together. The drawings and colors of the secrets box are based on Chinese "yin" and "yang" that represent the female and male sides.Lot # 110\nTania Radda - "Disentangling Inspiration", 2008, Basswood, compressed cherry, acrylic, 3" × 27" × 9". Using a turning gouge as inspiration, I created this fun piece. Since woodturners are always reinventing their tools and gadgets and claiming that they have the ultimate tool, I asked myself, What if the ultimate tool is not the tool itself, but the hand that holds the tool? If I were to create a turning gouge, this would be it. The handle represents me and the gouge represents how I refine the materials I use to achieve my goals when creating a piece. Lot # 186 - View 1\nDarrell Rader - "Airbowl III" measuring 4" high x 8.5" diameter, made from Walnut. "My quest with this series has been to blur the line between functionality and art.  First a simple well formed bowl, then to leave just enough structure so that the object may still maintain its form, but take on a completely different life. Viewing from the side while the piece is slowly rotating gives the viewers an illusion of motion rather than just a three dimensional object. Is it to be used or only to be viewed and appreciated?"Lot # 119 - View 1\nRudolph Lopez, untitled, Canary Island Palm, obtained locally in Florida, with Rose Peroba base, Collar and finial. Finished with lacquer and buffed. 9" Diameter X 14" Tall. Although I am a relatively new wood artist I have always had a love of natural objects and the environment in which they flourish. Growing up on a cattle ranch in Florida I spent much of my time in the woods with my father and uncles. I began working with my hands at a young age building models then crafting fine furniture and cabinetry. With an education in drafting and design, a career in commercial photography, I have always needed a creative artistic outlet. Woodturning seems to have put this all together for me. I am always inspired by what I may find in a piece of wood that will allow me to create something for others to enjoy.Lot # 139 - View 1\nJoe Ruminski - "Special Times", 4-3/8 inches tall, 1-5/8 inches wide. Cup thickness is 1/16th inch. Materials: Maple burl and rosewood. "Working with wood allows me to uncover some of natures most beautiful designs. This piece is turned in three different sections. The cup is made from the inside out. I actually form the inside of the cup first and then turn away the outside to match. I enjoy the challenge of turning thin and small. I feel that is an art in it's self. I also have to give credit to many people who have helped me with the line and form for this piece come together so well. One of the greatest gifts we can give is teaching others so they can create."Lot # 184 - View 1\nMeryll Saylan - Tall rusted vessel measuring 7" high x 5" diameter, Poplar and paint.Lot # 161 - View 1\nLarry Sefton - "Erosion" measuring 12-1/2" x 6", Cherry hollow form featuring my\nown perforation technique. The entire interior is embellished with pyrographic spirals.  "Nature chose for a tool, not the earthquake or lightning to rend and split asunder; not the stormy torrent or eroding rain; but the tender snow-flowers, noiselessly falling through unnumbered centuries."  (John Muir)Lot # 190 - View 1\nDick Sing & Gorst du Plessis collaboration - Birdhouse made from boxwood, box elder and ebony. 6" high x 3" diameter. Lot # 111 \nJack Slentz - "Individuals". Larger piece: 19" high x 6" diameter, sycamore. Smaller: 16" tall by 5" diameter, honey locust. Lot # 134 - View 1\nBill Smith - "Euclid's Dream" series. It is a tribute to Euclid's inspiration and inventiveness in the field of geometry. It includes portions of a circle, a plane, a sphere, a triangle a rectangle and parallel lines, hopefully presented in a artistic fashion. It is made of holly and bloodwood, 5" in diameter and 2 ¾" high.Lot # 136 - View 1\nDavid Springett - Lidded box turned within a sphere on a stand. Sphere diameter is 2-1/2 inches. Overall height including stand 6-1/2 inches. Turned from a nicely figured but unknown Australian hardwood. David Springett has written several woodturning books including "Adventures in Woodturning", "Woodturning Full Circle" and "Woodturning Wizardry". This lidded box turned within a sphere features in "Woodtuning Wizardry" and is a particularly awkward piece to turn, for the only access available to turn the box inside the spherical shell is through the window openings in the sphere. These need to be constantly moved whilst the inner box is turned.Lot # 169 - View 1\nJohn A. Stenmark - "Vortex III", hollow form textured (burned and carved), and then dyed, dimensions: 10.5" diam. x 4" tall.  "A logarithmic spiral entices the eye toward the interior of the form.  Because the shape of this curve is inorganic, the application of the shape is best organic.  The lines are suggestions only and the viewer is not overwhelmed by a piece that might otherwise become too sterile."Lot # 122 - View 1\nSteve Sinner - "Ode to Santa Clara Pueblo". 5 3/8" tall x 5 ½" diameter, maple and paint.Lot # 150 - View 1\nCurt Theobald - "Father Daughter" of Buckeye Burl, 6" high (large piece), 2-1/4" high (small piece). "This series is inspired by the relationship between parents and children.  Specific placement of the two elements in the set conveys a sense of emotion.  Let your mind run wild with the arrangement of these pieces." Lot # 120\nThierry Martenon, untitled, 2008, 25.5" x 14.0" x 3.0" Lot # 112 \nMalcolm Tibbetts - "Icosahedron Candle Holders", 2009, Gabon ebony, holly, diameters are 41/2", 4", and 31/2". Each sphere is comprised of 80 mitered triangles. Lot # 162 - View 1\nBill Tilson - "Unaccompanied" measuring 8" high x 5" deep. Flower is dyed Birdseye Maple, stem turned, carved, and bent compressed Cherry, and pistil Black Palm. "To me, this lone flower has gone "unaccompanied" to a dance, but appears eager to get down and boogie.Lot # 145\nTerry Martin - "Matching Goblets", made in 2009, recycled Jarrah fence post, 4-1/2" high. "This is my poke in the eye for all those competition judges who get very uptight about measuring pieces to see if they "conform to the rules"." Lot # 114\nBarry Uden, bowl, 2008, Maple Burl, 41/2" x 13" Lot # 156 - View 1\nHans Weissflog/Binh Pho collaboration - "Triangle  Rocking Bowl" measuring 5" high x 4" diameter x 7" wide. Materials: Yew, acrylic pant and gold leaf.Lot # 143 - View 1\nJohn Wessels - Acorn Pendant, 1" long  x 1/2" diameter with box measuring 2-1/2" x 2-1/2" x 1-3/4" high. Hippo tooth ,pewter and silver. Sneezewood and African Blackwood. The Acorn Pendant represents the start of life of a new tree. The lid of the Box is made from an old fence post from the Grahamstown area in the Eastern Cape of South Africa. The history of this Sneezewood fence post goes back to the first Settlers in South Africa in the early 1800's.Lot # 144 - View 1\nJohn Wessels - Pewter Enhanced rice bowl, 4-3/4" diameter, 2-3/4" high. Keyahi wood and pewter. Mr Yasuhiro Satake gave me two rice bowl blanks at the Portland AAW Symposium in 2007. This bowl is my interpretation of the POP's  "Japanese Bowls - A Western Perspective" exhibit.Lot # 149 - View 1\nMolly Winton - "Echoes of Time Past" measuring 8-1/2" x 8"; Made from Rauli wood, pyrography, and dye. "The inspiration for this piece is the black on black Mata Ortiz pottery." Lot # 187 - View 1\nSteve Worcester - "Fusion Series". Tiger Maple and glass, finished with automotive clear coat, measuring approximately 7" x 4".

15 July, 2009

Dear EOG Auction participants,

Thank you for helping with our EOG auction this year. We set many milestones in many ways with this single event. For those of you who were not present at the symposium and are wondering how it turned out…

Looking at the above numbers alone, we had a hugely successful auction. However we’re all aware of the downturn in the economy, and we know that woodturning work is also affected. So despite the impressive total gross bottom line most pieces were sold for less than expected. I know that this is disappointing from the artist’s point of view, but please don’t take it personally. In fact there were many pieces bought by our fellow woodturners who were very happy to be able to get a piece which they might otherwise not be able to afford. Here is one comment from a buyer to the artist:

“Thank you for contributing your wonderful piece to the AAW EOG Auction in Albuquerque. My wife and I were delighted to have successfully bid on it in the auction. I have seen your works on WOW and at previous AAW symposiums and have always thought them beautiful. The piece will have a special place in our home.”

In summary, I would like to thank each and every one of you: despite the tough economy we beat the odds and generated enough funds for our Educational Opportunity Grant to carry on our mission statement. For those of you who donated all the proceeds of the sale of your work, your generosity is especially appreciated. There are a few adjustments to the process which should give an even better result in next year’s auction. Hopefully you can join us again for it.

Best wishes,
Binh


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