- Ted Bartholomew, WA, turning with unconventional tools.
- Buz Blum, AK, thin wall green turnings, natural edge bowls.
- Phil Brennion, AZ, Southwest vessels in wood;
form, design and surface treatment of traditional and contemporary.
- Douglas Davenport, NY,
turning micro miniatures and making the necessary tools.
- Jack Davis, WA, basic metal spinning.
- Eugene Doren, AK, turning palm nuts.
- Bob Espen, AK, turning tagua nuts.
- Peter Fedrigon, NY, dust collection and filtration.
- Hans Finsterwalder, AZ, fancy lidded boxes,
Christmas ornaments and segmented bowls.
- Bob Flexner, OK, finishes and how to use them.
- Arnold Geiger, AK, Christmas ornaments.
- George Hatfield, Australia, architectural turning:
tools, techniques and sharpening equipment.
- Bob Hawks OK, Photographing your work with a professional
photographer and accomplished turner.
- Angus Hoban, Isle of Man, Highland bag pipes,
lace bobbins and miniature turning.
- Fred Holder, WA, hand chasing threads;
making the threaded box and decorating with spiraling, texturing.
- Rich Johnson, CA, development of a natural edge bowl
using homemade vacuum chuck and pin chuck.
- Bill Johnston, NC, advanced techniques for use of Inlac;
hollow forms, tools and techniques, for all levels.
- Yoshinobu Kakizawa, Japan, Oriental turning methods.
- Jerry Kermode, HI, turning a buck(value adding);
stitch in time(turning flaws into treasures); natural edged bowls.
- Max Krimmel, CO, turning alabaster; making turning pay as a business.
- Dale Larson, OR, bowl turning using Pacific Madrone.
- Vernon Leibrand, WA, green log to a footed bowl or platter.
- Simon Levy, TN, hand & eye connections,
fundamentals of drawing to render form and shape.
- Luke Mann, VT, bowl turning system for green wood.
- Stuart Batty, England, substituted for Bert Marsh due to health reasons.
- Woody McMartin, New Zealand, box making, small end grain
bowl turning, three legged stool.entirely on the lathe.
- Bill Moore, OR, metal spinning combined with turning.
- Robert Morelli, CA, precision sharpening of your tools.
- Ernie Newman, Australia, history of woodturning.
- David Nittmann, CO, the basket illusion., using beading,
burning and coloring; tool sharpening without jigs.
- Chuck Noble, WA, translucent shells.
- Terry Nugent, MT, turning talc into lidded containers using
free floating toolrest; high gloss polyurethane finish for wood turnings.
- Ron Odegaard, WI, earrings and ornaments.
- Michael Peterson WA, surface treatments, contour carving.
- Randy Rhine, OR, ornamental turning.
- Bob Sievers, WA, multi-axis turning.
- Nick Silva, TX, beginning ornamental turning.
- William Smith, PA, open segmented turnings, creating blanks for with jigs.
- Chris Stott, England, development of boxes,turning a rocking box and
small jewelry box, projects for beginners.
- Frank Sudol, Canada, the boring bar.
- John Swanson, WA, turn a threaded box; how to improve your demos.
- Denver Ulery, WA, turning bracelets.
- Jacques Vesery, ME, segmented turning,, design and surface treatments;
turning miniature hollow forms.
- Don Weber, CA, pole lathes, history and making.
|
| The local chapters around Tacoma did a great job of moving in all types
of equipment. Many volunteers were working very hard to make the symposium
a success. |

Photo: Nileen Hunt |
|

Photo: Nileen Hunt
|
All kinds of stuff starts getting unloaded by vendors in the trade show.
Pallets of materials, tools, and heavy equipment gets unloaded very quickly
in the trade show. |
| It really does get organized before the attendees start carrying it all
off. Believe it or not, most of these tables are sparse by the last day
of the symposium. |

Photo: Nileen Hunt |

Photo: Nileen Hunt |
The back door becomes a blur as vendors rush to get set up. Fortunately,
the crowd is too busy to get too upset the first day. In the middle of all
the organized confusion is the irrepressible Pat Titus who is making sure
things are moving along. |
| The first people that you see at a symposium is usually the registration
volunteers. These are the people who look through the thousand or so packets
(which they stuffed the day before) for your name. This packet contains
the information the attendee needs plus their name badge which is needed
to gain entrance to the demonstrations. |
 |
 |
Other people spend time setting up the demonstrators board where attendees
can check out "who is demonstrating where?" This is a grid panel
by Blake Hickerson of Texas. This type of signage is very helpful to the
attendees. |
| The staff, board, and volunteers are almost shell shocked by the time
the public starts coming into the area. Usually Eunice Wynn and Mary Lacer
are answering questions as quickly as possible. |
 |
|

Photo by Nileen Hunt
The first session on Friday, July 18th, was the opening ceremony led
by AAW President, David Wahl of New Mexico. He introduced the board of
directors, demonstrators, staff, and special volunteers.
|
Business
was brisk since this large room was made into four demonstration rooms
as soon as it was cleared.
Photo by Nileen Hunt
|
One of the most popular locations at any symposium is the
Instant Gallery. At right is just one of the long tables on the upper
level at the Tacoma Convention Center. The large open area on the main floor
was full of tables as below. |
 |
|
Tacoma,
Washington as seen from the 18 floor of the Sheraton Hotel. Mount Rainier
is said to be in the distance to the left of the Tacoma Dome. The symposium
banquet and auction was staged in the Tacoma Dome which is the domed building
a couple of miles away.
The city and the local chapters in the Puget Sound area made the visiters
feel very welcome to be in the Pacific Northwest.
|
|
The
Tacoma Convention Center hosted five of the demonstrator rooms. This building
was just outside of the Sheraton Hotel. The Instant Gallery was just within
this rotunda building entrance. The Ornamental Turners demonstration room
was also in this building.
Also, the trade show was at the back of the Convention Center building.
|
Highlights of the 1999 Symposium
|
Bob Flexner Norman, OK. Bob has
owned and operated his own woodworking and restoration shop since 1976.
By the mid 80's he began teaching and writing about finishes and finishing
and this led to a near full-time career. He has written the book "Understanding
Wood Finishing" and made two videos, "Repairing Furniture" and "Refinishing
Furniture." Introduction to finishing; includes food safety
and special finishing problems for woodturners.
Finishing with oils and waxes; similarities and differences,
concoctions and applying methods.
Finishing with film-building finishes; includes methods of applying
finishes on the lathe.
|
|
Yoshinobu Kakizawa Japan. Yoshinobu
was chosen by his peers in Japan to be their representative at the symposium.
Although only 24 years old, he has already received several prestigious
awards in Japan.
Oriental turning methods |
 |
Ernie Newman Australia. Ernie
teaches a three-year turning program, writes and demonstrates widely in
Canada, USA and New Zealand. His passion is the history of turning and he
delights in passing on the best in traditional design and technique.
1600 BC to 1500 AD--History of turning household and artistic
items.
1500 AD to 1960 AD--History of turning household and artistic
items.
Design and technique.
|
 |
Michael Peterson Lopez Island, WA.
Michael Peterson is a professional turner and teacher, know for his highly
sculptured forms which are often enhanced with bleaching and other surface
treatments.
Personal work from 80's to present.
Carving and contouring.
Surface treatments.
|
|
|
Don Weber Mendocino, CA. A teacher, chairmaker
and blacksmith, Don uses early technology as a tool to increase the knowledge
of turning and toolmaking. Working in diverse places from the Yucatan,
with the Mujeres Artasanas project, to the mountains of Appalachia and
the coastal islands of British Colombia, he uses the pole lathe as a teaching
aid and means of empowerment in rural areas.
History of pole lathes.
Making a pole lathe.
|
 |
|