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The American Association of Woodturners
 

1990 AAW Symposium


 Gatlinburg, Tennessee
 1990 Symposium of the AAW - Gatlinburg, Tennessee


Report of Gatlinburg Symposium

Gatlinburg, Tennessee
October 25-27, 1990

By Alan Lacer

The Arrowmont Symposium was the smoothest running Symposium yet, especially since it had some difficult times getting started (changes in administration and a demand to attend that far exceeded all expectations).

The Unity Totem project turned out far better than anyone's wildest dreams. In the end, 24 local chapters participated with some of the most innovative and exciting turning I have ever encountered. The pieces ranged from simple
forms forms from a single block, to pieces which had as many as 40 to 50 separate turnings attached to a central component.

Several weeks before the Symposium, two pipe bases were set into two four-foot deep holes with a concrete slab to support the totems. On a cold and rainy first day of the Symposium, the segments were slipped over the pipe that passed through all segments. It went up effortlessly with the help of the Arrowmont staff, as well as several AAW members. Thanks to everyone who had a part in planning, making, and assembling the project. The finished totems had the appearance of growing directly from the woods surrounding Arrowmont. The real excitement will be watching the weathering process take effect over the next few years.


 Demonstrations

A central part of any Symposium is the demonstrations. As the size of the conference grew, so did the number of sessions. In the end there were over 50 demonstrations, panel discussions, open meetings, or informal critiques. Some of the subjects consisted of hollow vessels, carving, chatter work, design, production techniques, multiple axis turning, applying to galleries, taking slides, spindle turning, the teaching of woodturning, and a potter's perspective of vessel form. The demonstrators included Dale Nish, John Jordan, Tom Neff, Giles Gilson, Stoney Lamar, James Johnson, Steve Loar, Frank Cummings, David Ellsworth, Bonnie Klein, Tommy Sorenson, Paul Pitts, and many other fine demonstrators. We also witnessed living history with Jay Weber and Clay Compton, two turners with many, many years of experience on the lathe.

If your interest in attending a conference was to see examples of turning, you had ample opportunities. There were three separate exhibits from which to choose. As a tribute to five years ago, there was a juried exhibition, "Vision and Concept II," which included 78 pieces from 67 turners. This was one of but a few national shows that contained all juried pieces. There were no invited turners in this exhibit. The show had its official opening on the first evening of the Symposium and was a focal point of interest throughout the conference. This exhibition will run until December 8, 1990 in the Arrowmont Gallery.

All demonstrators were asked to bring examples of their work, and these comprised a second exhibition of the conference. As always, the Instant Gallery was overwhelming. The fine work brought by both familiar and "unknown" turners was a delight to behold. On the final day of the conference, Steve Loar, Frank Cummings, and David Ellsworth conducted an informal critique of the Instant Gallery.

Another feature was the trade show of woodturning products, where a dozen businesses and individuals had something to sell. If you were looking to buy a lathe, turning tools, videos, books, exotic wood blanks or just thick pieces of domestic wood, this was the place to visit.

At every symposium, we hold an auction to benefit the AAW Educational Fund. This year, we tried something a little different. We held a "silent auction" for pieces of wood that continued for most of the conference, plus we had the auctioneer Bob Fleming from West Virginia who managed to extract over 7,000 dollars from those in attendance. In this auction, the most numerous items were well-turned pieces from demonstrators and AAW members. Also, several businesses donated products or very special pieces of wood to benefit the fund. There were also other pieces of wood, t-shirts from the early days of the AAW, and a couple of the first Journals signed by all AAW Board members. We thank everyone who donated items to either auction and to the many who purchased items.

We ended the activities with a blow-out picnic and dance in the national park. Even though we all had a full and tiring week, we ended on a good note.

Why go to a conference? It is certainly not for hard and fast skill building, but rather to immerse yourself in woodturning by watching and listening, through discussions (sometimes around the clock), by seeing the works of others or having other turners comment upon our work, to see the tools and woods that are often only experienced in a catalog, and to find old friends and maybe make some new ones (who understand your passion for turning when those around you may not). For variety and breadth of activities, this Symposium must rank at the very top in the short history of the AAW.

This Symposium is now history; and because of the growth of the AAW, we will probably not be able to return to Arrowmont for a national conference. Once again, we apologize to all of you who wished to attend but were unable because of the space limitations. For the future, we are committed to sites which will accommodate very large groups, and we can expand the activities to allow all who wish to attend.

The next symposium is only a few months away and will be held in Texas the early part of April. Hope to see many of you there and be prepared for another blowout event.


Excerpted from American Woodturner, Volume 5, Number 2, December 1990.