Growth through Sharing
Celebrating the 10th Anniversary
of the American Association of Woodturners

June 21 through July 30, 1996
Guilford College Art Gallery, Hege Library
Greensboro, North Carolina

The impressive growth of the American Association of Woodturners is rooted in the generosity of woodturners, who commonly share their skills, understandings, and techniques for the advancement of the craft. Everyone benefits from this inspiring, supportive environment. In this tenth anniversary year of the AAW, celebrating how we have grown, we are proud to present our first international invitational exhibition. Special thanks go to Albert LeCoff for suggesting the concept for organizing this show:

We began by choosing fifteen woodturners who have challenged, inspired, and/or directed others through the content of their work and have demonstrated an invaluable willingness to share and teach what they bring to the field. Each of these "mentors" (noted with an asterisk in this catalog) was asked to name two woodturners whose work he or she felt represents the best and most promising of what1s new in our field. Thus the selection process, like the development of our craft, was in many hands. And the show, while recognizing outstanding contributors, is weighted toward the future, offering many new and up-coming turners their first opportunity for national exposure.

All together, the forty-five pieces in this show represent some of the foundational and burgeoning work of our first decade of growth through sharing. From here we can begin to see our next ten exciting years.

Growth through Sharing Show Committee
Dan Ackerman, Charles Alvis, Nick Cook,
Stoney Lamar, Rick Mastelli, and Phil Pratt


David Ellsworth, Quakertown, Pennsylvania
"Low Orb"
Curly silver maple; 7"h x 13"dia

Clay Foster, Krum, Texas
"Untitled"
Pecan: turned, carved, and painted; 19"h x 10"dia

Linton Frank, Perkasie, Pennsylvania
"Wedding Vessel #22"
Broadleaf maple burl, ebony, purpleheart, rock maple; 10-1/2"h x 5-1/2"w

Michael Hosaluk, Saskatoon, Saskatchewan
from the series, "I'm a Little Teapot..."
Wood, acrylic paint, copper, horsehair; 7"h x 7- l/4"dia

Todd Hoyer, Bisbee, Arizona
from "Disc Series" (reverse view)
Ash: burnt, carved, bleached, and sandblasted; 14"h x 5"d

Stephen Hughes, Aspendale Gardens, Australia
"The Pleaser"
Blackbeard sassafras on a jarrah and huon pine stand; 18"h x 12"dia

Gary Johnson, Bridgeton, Missouri
"Reversible Hollow Form 94-23"
Zircote and maple (1,156 pieces); 7-1/8"h x 7"dia

Gael Montgomerie, Motueka, New Zealand
"Untitled"
Sycamore, acrylic paint, gold leaf, bamboo; 6"h x 8"dia

William Moore, Hillsboro, Oregon
"Newcastle"
Bronze, copper, maple; 14"h x 12"dia

Rude Osolnik, Berea, Kentucky
"Untitled"
California buckeye; 13"h x 21"dia

Michael Peterson, Lopez Island, Washington
"Landscape Vessel"
Elm: turned, carved, sandblasted, and bleached; 5"h x 9"dia

Betty Scarpino, Indianapolis, Indiana
"Stepping Out of Line"
Maple: turned, bleached carved, ebonized, and textured (plate); maple: sculpted, ebonized, and textured (stand); 13-1/2"h x 18 " x 2-1/2"d

David Sengel, Boone, North Carolina
"Corvus ossifragus"
Cedar, boxelder, rose and orange thorns, crab claws, india ink, black lacquer; 19"h x 9"w x 7" d

Mark Sfirri, New Hope, Pennsylvania
"Rejects from the Bat Factory"
Tulipwood, cocobolo, lacewood, cherry, curly maple, mahogany; 36"h x 24"w x 5"d

Alan Stirt, Enosburg Falls, Vermont
"Cherry Bowl"
Cherry with black milk paint carved in "pine needle" pattern; 6-1/2"h x 11-1/4"dia

Frank Sudol Paddockwood, Saskatchewan
"All That Is Left"
White birch and mahogany; 22"h x 7-1/4" dia